Showing posts with label *Off Minor. Show all posts
Showing posts with label *Off Minor. Show all posts

Saturday, August 13, 2011

Off Minor - 2008 Some Blood


Band : Off Minor
Album : Some Blood
Release Year : 2008
Genre : Screamo | Emo Violence

Tracklist :
1. Neologist
2. Some Blood
3. Everything Explicit
4. To An Ex
5. No Conversationalist I
6. Practice Absence

In terms of concepts Off Minor's latest 'Some Blood' is not an album I'd label as comforting. Where there previous records tackled very specific areas of the band's social interactions 'Some Blood' is a more visceral, more encompassing, and in general more mature effort. This assertion puzzles me because it seems that as time passes hardcore bands tend to start off being a little more accusing and end being more introspective. Perhaps, the most impressive part of Off Minor is in fact the length of their existence and how focused and similar their message has been over all of that time. 'To An Ex' may seem to be walking along ground that was covered on the groups' first record 'The Heat Death of the Universe', but that album exposed the personal trials of the band in a very short direct way. The songs presented on 'Some Blood' are dealing with overarching concepts of social commonality. Off Minor is one of few bands that speak directly to the hearts of a community while at the same time applying moments that are so moving that it creates a certain brand of philosophy. 'Everything Explicit' examines the tragedy of words left unsaid not in a selfish way rather mournfully examining the issue. It is important to take note of the ages of this band and their contemporaries because most people playing this type of music simply aren't breaking thirty. In turn this leaves Off Minor with a little more to prove than your average hardcore band. Simply judging by the bands the members of Off Minor have been in the group is certainly going to have a certain amount of anticipation surrounding their releases. So, when the group stretches out and exposes itself with a track as bare and uncharacteristic as 'Practice Absence' it is both surprising and common place. Off Minor is a radical thinking version of a high school genre and on 'Some Blood' the groups' trademark blend of 'jazz like' phrasing with extreme aggression has reached a point of finality.

‘Some Blood’ is proof that the band has blended their previous sounds into one all encompassing effort. Opener 'Neologist' proves this perfectly in its short span of nearly three minutes jumping from traditional Off Minor heavy sections that are juxtaposed by a gorgeous interlude that succeeds at being both technical as well as transcendent. 'No Conversationalist I' cycles through more chord progressions than were found on the entirety of 'Group Sex'. The title track finds the visceral voices of Jamie Behar and Steve Roche taking a backseat to some more relaxed spoken vocals that help ease the listener through the rapid transitions found throughout the song. The key improvement on this record though seems to be the care taken in producing it. On Off Minor's last record 'Innominate' the drums seemed to appear simply as a toms and cymbal, while here we experience an extremely organic sounding set that helps emphasize the always moving bass lines of Kevin Roche. While previously the guitar and bass seemed to either tonally sound distorted or clean on 'Some Blood' the group seems to be stretching out their sonic palette. 'Practice Absence' represents this best with its multitude of layered guitar pieces that incorporate varieties of effects as well as singing portions that sound dissimilar to anything Off Minor has done to date. If this record is in fact Off Minor's final document let it be known that they have full evolved their sound into something completely unique from any current trend in hardcore.

The final aspect I'd like to shed light on in regards to 'Some Blood' is the intelligence of its lyrics. Where most of their contemporaries are simply echoing usual white suburban male issues, Off Minor has crafted a literate assessment of hardcore values. As I said early 'Everything Explicit' is a muse on the deterioration of relationships but how the group actually visualizes this is what makes them such a special band. -Jared W. Dillon






Off Minor - 2004 Innominate


Band : Off Minor
Album : Innominate
Release Year : 2004
Genre : Screamo | Emo Violence

Tracklist :
1. Cadaveric
2. Killed For Less
3. Inadequate In Absence Of You
4. Demolition Heuristic
5. In SL
6. Devil Ether
7. Allele
8. Family Circus
9. Staring Down The Barrel Of Limited Options

The first track of Innominate shows that Off Minor has gotten pissed off since their last record. Featuring harsher vocals, heavier guitar lines and darker lyrical imagery, "Cadaveric" starts the album off on a high note. Brutal to beauty is the idea that Off Minor follows so during "Cadaveric" the song goes from harsh screaming sections into beautiful orchestrated instrumental pieces. "Cadaveric" is followed by "Killed for Less" an ode to the problems with America's healthcare, their anger towards the system is presented in the harsh screaming of "How much was paid for this shit to stay the same another day?"

"Inadequate in Absence of You" is an ode to Matt Davis who was the lead singer of Ten Grand/The Vidablue and is now deceased. The first 40 seconds of this song are extremely harsh but the middle breaks into a beautiful instrumental with the guitarist playing harmonics and the bassist taking control of the melody, this track is definitetly a highlight of the album, as well as being one of their more upbeat tracks.

After two great tracks (Demolition Heuristic and IN SL) that follow the similar pattern of harsh vocal parts and beautiful instrumental parts an instrumental called "Devil Ether" is up next. Unlike the instrumentals off of Off Minor's previous release "The Heat Death of The Universe", "Devil Ether" is a much harder yet still extremely melodic song that really helps set the pace for the next two songs on the album.

"Allele" is probably the weakest track on the album, clocking in at just over a minute, yet it helps up prepare for what in my opinion is one of Off Minor's best tracks in their history. "Family Circus" is a 5 minute long closer that embodies everything I love about Off Minor: It has great lyrics, great guitar and bass interplay, and beautiful interludes. The rising bass part that the album ends on is probably one of the greatest lines I've ever heard and how it ends with what seems like a never ending emotionally draining line of "You, fuck you, I learned by watching you" After the music begins to fade out the 3 minutes of silence that follow almost seem like a recovery to what you just heard.

The cd version of this album has a bonus track, which is just a re-recorded version of "Staring Down the Barrel Limited Options" which in my opinion is far better than the original version.

Overall Innominate is a solid album that is emotional charged and instrumentally elegant. If Saetia were to continue as a band I'm sure something like this album would've been released sometime in their history and I'm glad to see that Off Minor continues to carry the torch Saetia lit when they began playing in 1997. Perhaps the only flaw of this release is the length, due to the fact that it leaves the listener feeling like more should come. -Jared W. Dillon






Off Minor - 2003 The Heat Death of the Universe


Band : Off Minor
Album : The Heat Death of the Universe
Release Year : 2003
Genre : Screamo | Emo Violence

Tracklist :
1. The Heat Death of the Universe
2. This is a Hostage Situation
3. It's a Beauty
4. Punch for Punch
5. The Transient
6. Staring Down the Barrel of Limited Options
7. Spartan
8. Monday Morning Quarterbacks
9. Off Minor

The Heat Death of the Universe is called such because what else could it be called? I mean, this is, like, cosmic shit, right? Time stops when this album starts, though I’ve always despised things (mostly, pieces of art, although other things too [although everything is art, right?]) that hype themselves up to be whatever they want you to think they are through means that aren't directly related to the art itself (e.g. album titles). Like, Heat Death of the Universe. Woooahhhh. The universe? It’s going to fucking explode. Or something, I think--it sounds big, is all. Off Minor’s 2003 “screamo” (eurgh) masterpiece is twenty-three minutes of worlds ending divided up into nine mini-apocalypses that are sometimes slow and sometimes fast, sometimes with and sometimes without vocals; it lives a full life and dies probably a million times throughout its length but is nice enough to condense it down to nine. Cosmic bullshit, right? Man, it dies like a MILLION times.

This is a sort of confusing album in the respect that any real thing that can be said about it (“it sounds like jazz and punk!”? Really, does it?) is pretty much psychotic horseshit because this is one of those albums that probably shouldn’t succeed or work at all. It’s ridiculous; it’s also organic and all that (which is where the “million deaths” thing comes from, although a million might be pushing it.) So while I never trust sites like lyricsmode.com or whatever for this type of thing, they almost certainly got something right with “Good things go for those who wait too long to say / But who's to say that this is the end / I am / This time we have permanence / This time we are separated by an infinite distance.” See, I’m not only the only one talking about permanence and life and death! Still, it’s hard to shake the feeling that this type of album just completely fucks with our brains and makes us think it’s about something when it’s really about something else. On that note, what is that cover? Is it intentionally sparse? Like, a life post-humanity--something like a Sheeler painting for the hardcore crowd? “Humanity sucks” or variants of it seem like obvious “screamo” (I can’t bring myself to unquote that term) fodder, but never like this. “People who need people are the wretchedest in the world,” goes the oft-quoted “This Is a Hostage Situation,” but that’s underselling it. This album never makes its intentions obvious, because “what do you see in me?”, the next song asks.

I’m not sure that sentence was structured quite perfectly, but that’s sort of how Off Minor ask and not-really answer their own questions. Why is “who you are” not a function of “where you are?” Because the old you met the new you and held a sign that said “welcome back”. That’s the sort of thing that almost makes sense tonight and then makes no sense the evening after; same with some of the music (like, instruments and melodies and whatever) on here. Why does the album have those weird ostensively “jazzy” sections with, like, tight playing (weird!)? This is a screamo album, right? This review has already written itself into corners and circles. Of course it has. The album ends with a cover of Thelonious Monk’s “Off Minor”. Here comes the guitar man, walking down the street and playing his tune. And, oh shit, it’s the end of the world. -Alex Robertson






Off Minor - 2002 Problematic Courtship


Band : Off Minor
Album : Problematic Courtship
Release Year : 2002
Genre : Screamo | Emo Violence

Tracklist :
1. Problematic Courtship
2. My Recovery
3. Farewell Ne'er Do Well
4. Willow Weep for Me
5. Remainder
6. Perfect Strangers
7. The Transient (Live)
8. Problematic Courtship (Live)
9. Farewell Ne'er Do Well (Live)
10. Perfect Strangers (Live)

Off Minor are a Hardcore/Emo band from New York City. They formed in 1999 with Jamie Behar, Matt Smith, and Steven Roche, all former Saetia members. However, Smith later left and was replaced by Steven's brother Kevin on bass. Since then they have released three albums, and six EPs and splits on several indie labels such as Level Plane Records, Golden Brown Records, and Paramnesia Records, as well as releasing their latest both physically and digitally on a donation system. They have toured all over Europe, Australia, Asia, and the United States. They take their name from a Thelonious Monk song. Steven Roche currently owns and operates Permanent Hearing Damage Recording Studios in Philadelphia.

This particular album, which has been labeled by different sources as eponymous and named after the first track "Problematic Courtship," comprises the six tracks found on Off Minor's split with I Am the Resurrection, and also four live tracks (one of them being "The Transient" from Off Minor's later release Heat Death of the Universe, which here is called "Willow Weep for Me"), so really, this album is an EP, with a few live tracks as a bonus. To understand this album, one must imagine a line from Saetia all the way to Off Minor's most recent LP Innominate. I feel that on each release, Off Minor moves further from the archetypal emo/screamo of the late 90s, and towards a new style that embraces jazz rhythms and a whole lot of angular guitar riffs a la Owls. This album, being the first progression, is the simplest album of all towards embracing the further, most recent end of the spectrum, but it also retains a lot of the cool songwriting that made Saetia a very memorable band. There are a lot of dramatic build ups though generally the songs are shorter. The chaotic parts typically have a good headbanging groove, and just feel like Saetia's (as if I could be any more vague, my apologies). However, the guitar riffs are insanely cool. Most of them feature a few pull-offs followed by slides in quick repetition with gives the guitar a sidewinding, angular feel through the album. Also, Off Minor likes to alternate between clean tone guitar, and distorted guitar so the riffs can be played very smoothly or in a particularly dirty fashion, which is a cool technique and is exploited numerous times throughout the album to lend tranquility or intensity to different sections. Also, the drumming takes another step up. The accents during the clean section are really fun and interesting while the harder drumming is much more jutting and strong. They're pretty mind boggling actually. Overall, this album is a leap beyond the emo you're used to, but very listenable and catchy in its instrumental prowess.

However, this is just an EP and is completely eclipsed by the later releases Heat Death of the Universe and Innominate. Not only is there more content on those albums, but the playing is even stronger, and the songs feel more inventive. Even just the intro to "The Heat Death of the Universe" leaps light years ahead with its awesome use of mute notes and jazzy, clean tone sweeps. I feel like this album, while good and impressive doesn't mean much in the scope of later releases, though I'm sure it was quietly groundbreaking back in 2002 when it was released. So, while in actuality this is a solid album, I don't recommend in when there are superior and easier to find LPs out there. However, if you can find it, check out the amazing track "My Recovery," which is one of Off Minor's top few songs. In fact, I could survive alone on just the intro guitar riff, and the clean tone jazzy style octave melody at the end of the song. Other than that though, get this to complete your collection, or to ween you off of Saetia, but not as Off Minor's best output.