The Saddest Landscape - 2012 After The Lights

Band : The Saddest Landscape

Album : After The Lights

Release Year : 2012

Genre : Screamo | Emo

 

Tracklist :

01. In Love With The Sound
02. This Heals Nothing
03. The Urge For Permanence
04. When Everything Seemed To Matter
05. The Comfort of Small Defeats
06. Days of Punched In
07. Desperate Vespers

The brand new album from The Saddest Landscape, After The Lights is a perfect follow up to the critically acclaimed You Will Not Survive. Featuring seven new jams and artwork by Adam Vass of La Dispute. The Saddest Landscape, one of screamo's most highly respected and current bands, are back with a new album entitled After The Lights. Take what you know about this band and amplify it times a thousand and that's what you're getting from this latest material. It's evident that there's a lot of emoviolence as well as some melodic post-hardcore passages. The one thing that strikes near and dear to me about this album is that they take an older band like Orchid, throw in some trve emo, some punk rock, and take you on their own rollercoaster ride of emotion. If you're a fan of screamo vocals (who the fuck isn't?) you're going to absolutely LOVE this album. -Ryan (No Gods, No Masters)

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The Saddest Landscape & We Were Skeletons - 2011 Split

Band : The Saddest Landscape & We Were Skeletons

Album : Split

Release Year : 2011

Genre : Screamo / Emo

Tracklist :

The Saddest Landscape
1.) Shifting My Clarity

We Were Skeletons
1.) No Funeral
2.) Medication

This the exciting new split EP features brand new jams from The Saddest Landscape and We Were Skeletons. Enjoy it!

 

 

 

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The Saddest Landscape - 2010 You Will Not Survive

Band : The Saddest Landscape

Album : You Will Not Survive
Release Year : 2010
Genre : Screamo / Emo

Tracklist:

 1. Declaring War On Nostalgia
2. Torn, Broken, Beautiful
3. Eternity is Lost on the Dying
4. Imperfect But Ours
5. So Lightly Thrown
6. The Shadows I Call Home
7. From All of Those

The Saddest Landscape is a band from Boston. They play an authentic style of emo, combining influences from the original “emo” sound with the more chaotic sounds of the later “screamo” bands of the 90s.

Fast-forward a couple of years, and suddenly, the 90s are back in again (had they ever left?). Pianos Become the Teeth were the first of it, then everyone decided Envy stopped sucking (lie), La Dispute, although they never quite got the hang of writing songs, had creativity and the attitude to back themselves up, and so on and so on. Oh, and The Saddest Landscape reformed. While fans will be pleased to know that Andy is still doing that thing, most everyone should be excited to hear the band has put out their tightest and most focused record of their career. The trademarks are still there: the jangly whirlwind melodies, cutting up and down through a maze of sprawling songwriting, as well as the shift-in/shift-out dynamic that sees the band taking listeners through low valleys of rumbling bass and twinkling guitar lines, all the way to cathartic peaks of chaotic arrangements that bubble and burst with energy and desperation.
What this is not however, is more of the same. While The Saddest Landscape still maintain their singular sound, it’s one that is, unlike any of their previous records, sculpted to a tee. The difference is this: previously, the band always sounded as if they got caught with their pants down trying to play along side Maddox. It’s not that they weren’t up to it – they were, and always have been – but the point is they always seemed to be playing in parallel, Maddox on the one hand, the band on the other. The gap itself had its own charm, landing the band a DIY sound that made them punk as fuck. But here on You Will Not Survive, the band are finally playing as a unit, twisting and tarrying around each other, pushing, pulling, challenging, and ultimately, opening up themselves to explore what had only been visible on the edges of their sound.
This means you’ll find songs like “So Lightly Thrown”, which finds the terms reversed, this time with Maddox caught in a hail of drums raining down around him, chords crashing left and right, while he literally screams and fights his way out of the mess. The reward? An expanse of bright melody, open and free, and reminiscent of – of all things – the airy lightness of Sed Non Satiata (who incidentally have put out this years best skramz record). Or others, like the minute and a half “The Shadows I Call Home” with a chorus that was made to break necks to. And finally, those craving a feminine touch will find it on “Imperfect But Ours”, with Laura Stevenson (of Bomb The Music Industry!) providing a backdrop of haunting choral melody to cap it all off. The moral of this story is quite simple. If and when The Saddest Landscape becomes another one of those screamo bands you listened to, You Will Not Survive will hopefully ensure that they’ll be remembered for everything they are – focused, emotional, brilliant.

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