Showing posts with label *Atari Teenage Riot. Show all posts
Showing posts with label *Atari Teenage Riot. Show all posts

Thursday, May 19, 2011

Atari Teenage Riot - 2011 Is This Hyperreal?


Band : Atari Teenage Riot
Album : Is This Hyperreal?
Release Year : 2011
Genre : Digital Hardcore | Noise | Experimental

Tracklist :
1. "Activate!"
2. "Blood in My Eyes"
3. "Black Flags"
4. "Is This Hyperreal?"
5. "Codebreaker" (feat. Steve Aoki)
6. "Shadow Identity"
7. "Re-Arrange Your Synapses"
8. "Digital Decay"
9. "The Only Slight Glimmer of Hope"
10. "The Collapse of History"

ATR’s early releases – which included songs like “Hetzjagd Auf Nazis!”/“Hunt Down the Nazis!” -  were surrounded by controversy in Germany. Highly political, they fused anarchist and anti-Nazi views with punk vocals and the emerging techno sound which was ravishing new back than at the beginning of the 90s. The three Berliners – Alec Empire, Hanin Elias and MC Carl Crack taken their name from a Portuguese Joe song Teenage Riot from the Teen-age Riot album with the word Atari added, as an Atari ST computer was used to create compositions.
They signing to Phonogram Records, a major European label, in 1993 the band received an unusually large financial advance which they duplicitously used to set up their own record label: Digital Hardcore Recordings (DHR) and in the best tradidion of any anarchist and punk band, they never delivered a commercially viable demo to Phonogram.

After three self-released albums, “Delete Yourself!” (originally titled 1995) (1995), “The Future of War” (1997) and “60 Second Wipe Out” (1999), the band effectively disbanded in 2000.
In 2001, Carl Crack died from an overdose. Hanin Elias left DHR to create Fatal Recordings, a label formed exclusively for female artists, but Empire produced the track “You Suck” for her debut album “No Games, No Fun”.
In January 2010, it was announced that Atari Teenage Riot will reunite for a few live shows in Europe and in early March 2010, Alec Empire released the new ATR-Track “Activate” via SoundCloud. It is the first song with their new MC: CX KiDTRONiK.
And here we are, after a lap of 12 years, the forth studio release by ATR and 10 new noisy and chaotic songs are here. Hanin Elias ragging just the same, the album is full of energy and… digital hardcore. This is another heavy stuff, none of their fans will be disappointed. There’s an exclusive preview of the album on their official site.





Wednesday, April 6, 2011

Atari Teenage Riot - 1999 60 Second Wipe Out


Band : Atari Teenage Riot
Album : 60 Second Wipe Out
Release Year : 1999
Genre : Digital Hardcore | Noise | Experimental

Tracklist :
 1. Revolution Action
2. By Any Means Necessary
3. Western Decay
4. Atari Teenage Riot II
5. Ghostchase
6. Too Dead For Me
7. US Fade Out
8. The Virus Has Been Spread
9. Digital Hardcore
10. Death Of A President D.I.Y.!
11. Your Uniform (Does Not Impress Me!)
12. No Success
13. Anarchy 999

Atari Teenage Riot is a German digital hardcore group formed in Berlin in 1992. Highly political, they fused left-wing anarchist anti-fascist views with punk vocals and the newly emerging techno sound that was called digital hardcore, which is a term Alec Empire later used in the name of his record company.

While I'm not naive enough to think Atari Teenage Riot's 60 Second Wipeout is just "a bunch of noise", I'm not sold that it's the "music of the future" either (gimme a break). And for all the talk of subversion, the blender beeps, jungle beats and scratches of "underground techno" have proven to be about as revolutionary as diet celery. I'm baffled by the hype these types of groups generate; diarrhetic techno is hardly a cutting edge idea, and while the press punctuates bold adjective like "heavy", "hardcore", my brain conjures up "redundant" and "inane". Call me difficult: the cartoonish mentality of modern commercial techno requires one to have firmly in place the Irony Sunglasses, Irony Earphones, and really stupid shoes. However, seeing as how commercial techno is exactly what ATR are not, 60 Second Wipeout unexpectedly comes off with a distinct air of creativity, brains and authority - this is not garbage you'll find on some lame throb mix. Indeed, I know many a sophisticated music fans who are enamored with this group, people that would normally not touch this braindead druggy genre with lead gloves. And I found myself liking it: the frantic punkish anarchy of "Too Dead For Me" and "Revolution Action" are musically backward and sonically inverted, but none of these tracks are discombobulated enough to completely slam the door on casual enjoyment. It's curious to hear what they can throw in the mix and make work. As a result, the music falls somewhere between stock & store techno and total white noise, but the results are rarely short of interesting.