Showing posts with label *Cream Abdul Babar. Show all posts
Showing posts with label *Cream Abdul Babar. Show all posts

Sunday, May 15, 2011

Cream Abdul Babar - 2002 The Catalyst To Ruins


Band : Cream Abdul Babar
Album : The Catalyst To Ruins
Release Year : 2002
Genre : Experimental | Sludge | Noise

Tracklist :
1. Kill People
2. It's Hard to Sue When You're Laughing
3. E is for Intelligent
4. A Guide to Home Ownership
5. Blown Goat
6. Blast & Damn
7. Todd Space is My Night Job
8. T.D.R.
9. Attack Ships on Fire
10. Empire of the Dead
11. Specialization is for Insects

With their excellent self-released EP, Buried In Broken Glass, and formidable live show, this Tallahassee seven-piece proved that they were ready to hang with the aggressive underground's most punishing and proficient acts. Their first full-length, The Catalyst To Ruins, delivers on all the potential of their EP, and with Neurosis exploring more sublime and restrained soundscapes, firmly places them with Isis as heirs to the throne. The overwhelming hypnotic droning and buffeting of Isis and Neurosis are just comparison points for CAB, as is the complexity and menace of Deadguy and the distorted glory of noise rock legends the Unsane, but while their influences are easily discernible, CAB stamps their own identity on the proceedings. Utilising trombone (real heavy metal), keyboards, a dual vocal attack and avant noise constructions intertwining amongst the albums 11 tracks, CAB employs repetitious dissonance and slower paces to heighten their damaging nature but always cut back to more hectic runs before monotony surpasses heaviness. With the keyboards and trombone more prevalent than in the past, Ian's increasingly manic vocals, a more focused performance and stand out tracks like "Kill People," "Empire of the Dead" and "Specialization is for Insects," The Catalyst to Ruins may be CAB's catalyst to greatness.


 
 
 

Friday, May 13, 2011

Cream Abdul Babar and Kylesa - 2003 Split


Band : Cream Abdul Babar and Kylesa
Album : Split
Release Year : 2003
Genre : Hardcore | Sludge | Noise | Experimental

Tracklist :
 Cream Abdul Babar
1. Cocaine Pinata
2. Rose in the Mouth
3. Shiss
4. Troy: Sailor

Kylesa
5. The Curse of Lost Days, Part 1
6. The Curse of Lost Days, Part 2
7. The Curse of Lost Days, Part 3
8. The Curse of Lost Days, Part 4
9. The Curse of Lost Days, Part 5

The jury’s still deliberating on whether the name Cream Abdul Babar is either creative and cool or creative and lame. Regardless of the verdict, it’s good to discover that the music that the band plays is as eclectic and curious as its moniker. Cream Abdul Babar has feet kinda sorta in the metalcore and sludge genres, but at the same time avoids being strongly classified as such.

So it’s metalcore hardness, but when the fuzzed out keyboards appear, matching the equally fuzzed out vocals, it’s bliss out time that the above mentioned genres don’t generally supply. It’s heavy and seemingly simple and catchy enough to get into right away, but as you listen more and more, further technicality reveals itself to keep renewing the interest. Kind of weird and original on the level of Horse the Band, but not nearly as spastic and busy.

Kylesa’s half sounds like a mellower collaboration between Old Man Gloom and Today is the Day. Like the former, Kylesa peppers the music that is most closely dropped in the hardcore/ metalcore genre with sections of ambient noise and drone from guitar and electronics. And like Old Man Gloom (particularly the Seminar II album), the noise is anything but: soothing, engaging, meditative, and definitely creative and original, even to the band being compared to.

Much of Kylesa’s vocals sound like those effected, high, twisted, banshee-like, choral vocals that Steve Austin uses in Today is the Day, particularly on the In the Eyes of God record. The result here is also kind of unsettling, but like the music, much less angst and psychosis is conveyed. The comparison to Today is the Day also extends to the music, which is reminds of Today’s older albums: more square and slow and deliberate. But as stated before, Kylesa doesn’t have nearly as large a bone to pick with life as Austin and co., and when the fuzzy instrumental noise track ends off the split CD, you’ll be feeling refreshed and ready for another listen.