Showing posts with label Atmospheric. Show all posts
Showing posts with label Atmospheric. Show all posts

Tuesday, July 3, 2012

Ragana - 2012 All's Lost


Band : Ragana
Album : All's Lost
Release Year : 2012
Genre : Atmospheric Black Metal | Screamo | Experimental
Tracklist :
01. B.N.F.
02. Slowly
03. Burning Structures
04. Canyon
05. 666
06. Two Suns
07. All's Lost

It's really hard to find some infos about this band!! By the way, Ragana is coming from Olympia, WA, and they playing a kind of black metal with atmospheric and screamo influence. It's only two girls here, playing drums and guitar. The guitar sound is so amazing, but i really love when the vocalist is singing, not screaming. Her voice is so beautiful and makes me shaking for sure!! This is really good band, and you all must check them out, and support them for sure!! Enjoy!!!
 
 
 
 
 

Sunday, January 22, 2012

Sear Bliss - 2012 Eternal Recurrence


Band : Sear Bliss
Album : Eternal Recurrence
Release Year : 2012
Genre : Atmospheric | Symphonic | Black Metal
 
Tracklist :
01- The Eternal Quest
02- Ballad Of The Shipwrecked
03- Great Cosmic Disorder
04- A Lost Cause
05- The New Era Of Darkness
06- There Is No Shadow Without Light
07- Entering The Seventh Gate

Sear Bliss is a Melodic Black Metal band formed by András Nagy in the autumn of 1993, in Hungary. They are described as a Melodic structures a touch of Atmospheric-based monotones and Carpathian-influenced sound. What separates them between the traditional Hungarian bands is; they strive for a Melodic sound and less appeal to Rawness. The band tries to create an outright original music based on dark elements combined with deep visions presented with sheer brutality - and all enveloped in the softening sound of a trombone, barytone and trumpet and a synthesizer. Lyrically it is a ride in the afterworld and to places where the human body can not enter only the most seeking soul and persistent spirit.






Wednesday, January 4, 2012

Barrow - 2011 Being Without


Band : Barrow
Album : Being Without
Release Year : 2011
Genre : Atmospheric | Screamo | Post-Rock | Experimental
Tracklist :
1) Where I Was
2) Monochromatic
3) Stretching Arms, Shaking Hands
4) In Blight and Boast
5) The Undertow
6) An Absent Crown, My Diadem
7) Sundown
8) Ashen, Pallid

Atmospheric sounds have always been a big part of the better side of post-hardcore. Thrice and Thursday experimented with both quite heavily, and before them bands like Frodus and Fugazi imbued their off-kilter experimentation with a sense of mood and presence that can barely be matched. More recently, this has continued into new realms by the ever-expanding influence of bands like Explosions in the Sky and Mogwai on the current group of upstarts. That's not to say that these kind of sounds and tremolo picked sonic exploration are new to the genre because they have been there for years and years, but now it seems as though not only is it more prevalent but also more deliberate.

Barrow's Being Without is a beautiful listen. Pulling influence from equal parts of the best of the last few years of what post-hardcore has had to offer, Being Without takes the familiar guise of screamed vocals mixed with slightly off key cleans and big melodies and wraps them in the shimmering sheen of the most recent fix of screamo wave bands. At it's best, the resulting sound is a huge wall of post-rock influenced sounds and As Cities Burn-isms that burst and bloom into galloping crescendos. Luckily, Barrow's sound usually comes together quite nicely, and more often than not they reach the same high's that their friends in Iselia did earlier this year with Life From Dead Limbs, especially with their more atmospheric numbers. When they do get a little off, it usually comes from a clashing of sounds between the clean sung vocals and the screams. While the cleans in songs such as “An Absent Crown, My Diadem” are perfectly set with the brooding atmosphere of the track, when transferred over to a track like “In Blight and Boast” the result is not as pleasant as the intended harmony is more of a distraction than anything else. But the few moments that have you thinking, “hey, when did Tell All Your Friends creep into my screamo?!” don't necessarily damper the listening experience because when Barrow are firing on all cylinders the sound is absolutely gorgeous. - Adam Thomas


Monday, December 5, 2011

While I'm Alive - 2011 Ükte


Band : While I'm Alive
Album : Ükte
Release Year : 2011
Genre : Atmospheric | Post-Metal | Psychedelic | Experimental
 
Tracklist :
1.A Solitary Deathbed Conversation   
2.Neon Jihad   
3.Celebrated Fall   
4.Mantra   
5.Sparkwood and 21

Interested in adventurous metal? Not the power-kind where true warriors meet dragons but the kind where bluegrass meets sludge. Try Ükte, While I'm Alive's 5-track debut album released in february 2011.

To categorize While I'm Alive isn't easy and "bluegrass meets sludge" only works for a minute. The safest thing to say is that it's alternative metal: heavy, somewhat psychedelic and generally long songs that present a variety of different styles. Post-hardcore? Absolutely. Twin Peaks? Yes. Should we improvise? Please do. Massive post-rock finishes? Why not! Bagpipes? Oh! Experiments? Are you fuckin' kiddin' me. Something for people who don't generally like metal? Definitely.

While I'm Alive isn't a special band because of their mix of styles (I'm pretty sure it's not unique) but because of how they did it. Listening to Ükte as an almost constant "what the fuck was that" kind of an experience, from start to finish. I have no idea what While I'm Alive is, but it sure as hell is something great. -soundslikefinland
 
 
 
 
 
 

Sunday, December 4, 2011

Terzij de Horde - A Rage of Rapture Against the Dying of the Light


Band : Terzij de Horde
Album : A Rage of Rapture Against the Dying of the Light
Release Year : 2011
Genre : Atmospheric | Black Metal | Post-Metal

Tracklist :
Side A
1. Prometheans
2. Vertigo - the Mithraic Ritual

Side B
1. The Roots of Doomsday Anxiety
2. Non Timetis Messor

Terzij de Horde play an furious style of black metal with doom and hardcore influences. Their debut album "A Rage of Rapture Against the Dying of the Light" features 4 tracks that stretch across 28 minutes and range from sludgy down tempo doom passages to driving thunderous blackened metal. The band is excellent at their craft, and are not to be missed!

Terzij de Horde combine an amalgam of black, doom, and post-rock influenced screamo with a decidedly hardcore punk outlook ... more and lyrical focus. Terzij de Horde is Dutch for “athwart the horde”. It is a line from the poem “Einde” (ending) by legendary Dutch poet Hendrik Marsman. Marsman is an inspiration to the band, as are many other authors and philosophers in the same dark vitalistic vein. Starting out in Utrecht, NL as Liar Liar Cross On Fire in 2007, the band grew away from its sonic roots in grindcore and crusty hardcore, and toward more dark atmospherics. As Liar Liar Cross On Fire, the band released a demo (Exposed, Barren and Often Windswept) late 2008.
 
 
 
 
 
 

Wednesday, November 23, 2011

SELENITES - 2011 Animaltar


Band : SELENITES
Album : Animaltar
Release Year : 2011
Genre : Atmospheric | Post-Hardcore | Post-Metal

Tracklist :
1.I am the one   
2.Tuée par la dernière...   
3.Du lebst   
4.A landscape called hope   
5.And mirage   
6.Ich hasse   
7.Des pluies de griffes   
8.Who can live forever

SELENITES is a band from Toulouse in the south of France. It all started in 2009 when they all met up in order to kick some asses and have a good time playing together. The five frenchies recorded their first album during fall 2009 and it was released in April 2010 on Debello Records (RIP) in the USA and on Lacrymal Recordings in Europe. « Jeder für sich und Gott gegen alle » is it’s name and it’s a boiling mixture of chaos, atmospheric, hardcore and metal music. They really wanted it heavy ! After touring in France, Belgium and Germany they finally got to record their new album in February 2011. The sound is bigger and heavier and the style may be a bit less chaotic hardcore and really more atmospheric and louder metal. The mastering was done at Globe Audio Mastering with Alexis Bardinet and Baptiste Bouchard so no worries about the good work !






Monday, November 7, 2011

Cheval - 2011 Perissodactyla (EP)


Band : Cheval
Album : Perissodactyla (EP)
Release Year : 2011
Genre : Atmospheric | Post-Metal | Sludge | Experimental

Tracklist :
1. Guy Marchand
2. Perissodactyla
3. Jean Rochefort
4. La Passion De Gagner
5. Omar Sharif

CHEVAL is coming from Toulouse / Tarbes, France, and here's their new ep entitled "Perissodactyla". They playing a kind of post-metal with sludge and atmospheric sound and in some parts they at a math influence too. 5 songs on this EP and all in all it's pretty good, and really worth to listen!! Well, just get it and enjoy!!






Wednesday, August 10, 2011

Deafheaven - 2011 Death Wish Live Series 08-Live at The Blacktop 01.15.11


Band : Deafheaven
Album : Death Wish Live Series 08-Live at The Blacktop 01.15.11
Release Year : 2011
Genre : Atmospheric | Black Metal | Experimental

Tracklist :
01. violet
02. libertine dissolves
03. unrequited
04. language games
05. exit:denied

The Deathwish Live Series is a series of FREE live recordings of Deathwish affiliated artists. These recordings are from a variety of sources: Radio shows, official and non-official live recordings, bootlegs, and more.

We are giving these recordings away as a thank you to the listeners who continue to support independent music. If you dig what you hear, please support these artists by seeing them live and by purchasing their releases and apparel in the DW Estore @ www.deathwishinc.com.

On January 15th, 2011, Deafheaven played a stunning set on a loading dock turned venue called "The Blacktop" in Bell Gardens, California. Also on the show was Low Places, Joyce Manor, and label mates Touche Amore. Deafheaven's performance that night left attendees in awe, serving as the flash point for a whirlwind year for the genre bending band. This is a recording of their entire set from that show.

Recorded by Chris Avis
Photo by Reid Haithcock





Sunday, May 1, 2011

Scold For Wandering & Stellardrive - 2009 Split


Band : Scold For Wandering & Stellardrive
Album : Split
Release Year : 2009
Genre : Screamo | Post-Rock | Atmospheric

Tracklist : 
Scold for wandering
01. Dernière volonte d'oublie
02. Au Nom Du Pere, Du Fils Et Da La Duperie Que L'On Nous Inculque
03. Un monde a notre image

Stellardrive
04. Ecotone
05. Conversations (unexpected things finally happend
06. Space is here

2 bands from France on one LP. Scold for Wandering deliver 3 pretty long epic screamo tunes whereas the band Stellardrive (ex-Gantz) brings 3 atmospheric instrumental post-rock songs.
This is fucking awesome for sure!!!





Friday, April 15, 2011

General Lee - 2010 Roads


Band : General Lee
Album : Roads
Release Year : 2009
Genre : Atmospheric | Sludge | Post-Metal

Tracklist : 
01. When Vultures Descend to Feed
02. Torches
03. Control
04. Hunted (Ashes By The Dawn)
05. The Red Room.mp3
06. Those Of The Unlight
07. In Reverse
08. This Sea Breathes Evil
09. Roads

Flawlessly moving between post-rock, post-metal and hardcore General Lee are one of the next batch of twisted beautiful brutal bands to emerge from Béthune, France.

Almost everything that makes post-metal a genre that many love is displayed here, and everything is pulled off with the utmost precision: these guys know what they're doing. The vocals are predominantly harsh, hardcore-esque barks in the vein of Isis' Aaron Turner, and are pushed back in the mix enough to keep them from being the music's focal point, but not so much as to erase their impact. The guitars come up with riff after riff, many of which are some of the best the genre has to offer. The bass is a highlight here: while the music doesn't revolve around it as much as it does in, say, Intronaut, one could argue that the bass plays just as important of a role as do the guitars. Its riffs mesh with those of the guitars' perfectly, but always retain their own identity, as well as being incredibly catchy. The band also experiments with layers of ambiance over both the soft and the heavy parts: another aspect characteristic of post-metal.

This is post-metal at its purest and most skilled, so how can there be anything wrong with this record? The one aspect that marrs near every song on the album is excruciatingly simple: to put it very bluntly, the band lacks balls. It is pure post-metal, but one of the genre's most endearing aspects is its ability to build up emotion throughout a song and then to let it all out in a massively intense climax. General Lee rarely does this: instead, they skillfully build the emotion, but never truly release all the tension they've created. They have climaxes and crescendoes, but each one of them feels weak, cold, and sterile, and this could even be a simple matter of how heavy the band's willing to go.

This may sound incredibly shallow, but basically, General Lee needs to really get loud when loud is needed. They have peaks and valleys throughout, but while their valleys are masterfully executed, their peaks are never high enough. Whenever they play a climax, the guitars are at the same level of distortion they've been at throughout the song, and the drums have not heightened their intenstiy: in short, there is a distinct lack of passion. They need to learn that, for a lack of a better description, it is sometimes necessary to crank the distortion to 11 and to get really loud if they want to ever make a completely satisfactory song with the crushing climax that they constantly hint at but never pull off throughout the album's duration.

As stated before, this album really is frustrating, and I honestly feel guilt for giving this a rating as low as a "3." Near every guitar riff, bassline, vocal line, and drum fill is what legions of mediocre post-metal bands wish they could accomplish. But the thing is that they lack the ability to differentiate between restrain and the lack of passion that they display throughout the album. Sometimes music isn't about skill and precision: sometimes, to make a truly exemplary song, a band needs to go all-out, and let their emotions take over. Once General Lee makes this simple change of putting more power into their music, they can easily become one of the best bands in the genre, and their next album could ascend from merely passable to truly exceptional. We'll just have to see what they do next.





Monday, March 21, 2011

Downfall Of Gaia & In The Hearts Of Emperors - 2011 Split


Band : Downfall Of Gaia & In The Hearts Of Emperors
Album : Split
Release Year : 2011
Genre : Screamo / Crust / Atmospheric

Tracklist :
01 these wet feathers
02 won't dry on their own
03 marching into forever
04 tears fall down in order to watch us fall / you are bleeding every shed of light is dying

 DOWNFALL OF GAIA from germany and IN THE HEARTS OF EMPERORS from sweden share this split together and i think there wouldn't be a better fitting combination to do this. Both band play this dark crust,doom,punk style. DOWNFALL OF GAIA contribute two (more one long) song to this split. It starts very slow like you already heared it on some of their last songs on 'epos'. It grows and grows over a few minutes until it breaks out. Epic, athosmpheric parts meet blast. To compare it to other bands you can say ALPINIST meets FALL OF EFRAFA here. IN THE HEARTS OF EMPERORS are the counterpart to DOG. I really could copy and paste what I wrote before. Three dark, detuned songs array to one long song here. Dark and angry vocals meet hard guitar lines. Reminds me very much to Amen Ra. The LP comes in a heavy gatefoldcover with a printed inside. The vinyl itself will be pressed on heavy (180gr) red wax. There will also be a poster included. -collective-zine





Sunday, March 20, 2011

Deafheaven - 2011 Roads to Judah


Band : Deafheaven
Album : Roads to Judah
Release Year : 2011
Genre : Atmospheric / Black Metal / Experimental

Tracklist :
01. Violet
02. Language Games
03. Unrequited
04. Tunnel Of Trees
 
Based out of San Francisco, CA, deafheaven started as a isolated project between frontman George LeSage and guitarist Kerry M. After sending the demo to various blogs and receiving overwhelmingly positive reception, they accepted offers to play live shows and added members of Whirl and Temple of Saturn to form the quintet that today tours as deafheaven.
 
From the opening drone of the album it's as if we are are peering through a dream into the private world that is Deafheaven's "Roads to Judah". Layers and layers of instrumentation build, tangle and swirl before the real onslaught begins. A ferocious drum fill then thrusts us from the serene into a free fall, as if the ground below suddenly gave way. From there we plummet through one awe inducing sonic fog into the next, blurring the traditional lines of song. Hyper blasts of speed rage and pulse while lush guitars bellow, roar and whine with unorthodox melody. And just as we feel we've departed from reality from the aural overload, tortured vocals cry out from afar. Serving as a stark reminder that there is something very human about "Roads to Judah" and Deafheaven themselves.


Though the title could suggest something otherworldly, the "Judah" referenced is in fact the "N Judah" train, the busiest line of the San Francisco transit system. A relatable landmark to compliment the haunting ambiguity that surrounds Deafheaven and the music that they collectively create. On it, much of the lyrical writing and personal reflection for this album took place.
With that said, "Roads to Judah" isn't Heavy Metal role play, but a beautifully blackened artistic exploration of the issues and self loathing that can cloud every day life. A stunning a achievement emotionally and musically that will surely shape aggressive music for years to come.


GET IT!