Wednesday, October 10, 2012

Maths & Throats - 2008 Split



Band : Maths & Throats
Album : Split
Release Year : 2008
Genre : Hardcore | Chaotic | Screamo

Tracklist :
MATHS
-----------------
1. Heavy Heart
2. Statue of Her
3. Vacant
4. Breathe as it were a Story
5. Solace

THROATS
--------------------
6. Headclouds
7. Loked Blue
8. Reign of Low
9. Comedown
10. Deathnaps

Split albums can be risky endeavors. One of the artists that partakes in the split typically overshadows the other artist, or the album may have no flow whatsoever, feeling disjointed or awkward in its juxtaposition of two separate musical entities. Throats and Maths, two bands from the UK, easily sidestep this problem by engaging in the same type of business. This is not to say that their sounds are identical. Maths creates frantic screamo, while Throats produces crusty hardcore. The unifying aspect of this split album is the overall attitude present. Both Throats and Maths specialize in nasty, furious music that is not afraid to get it's hands dirty. In other words, they're both very pissed off, and it shows.
The first 5 songs of this 10 song album are allotted to Maths. No time is wasted in kicking off their short but energetic collection of songs. Opener Heavy Hearts gets right in your face almost immediately, showcasing Maths' own frenetic brand of screamo. While there are a few clean sections here and there in Maths' songs, a respite is not truly given until the short 53 second interlude entitled Breathe As If It Were A Story rolls around. By this time, Maths has blazed through 3 blasts of speedy drums, screeched vocals, and heavy guitar work, all in 7 minutes. After Breathe.. segues into Solace, the closing track to Maths' side of the split, one is treated to another piece of chaotic screamo. Although a bit homogenous, the tangible emotion behind these tracks and their brevity warrant repeated listens.

After the final notes of Solace die out, a sludgy guitar enters. Throats begin their side of the split with a slow burner, entitled Headclouds. This track is almost reminiscent of some of Pelican's work, at least until vocals enter the track. The intensely hollered vocals are full of bile and vitriol, lending the ending segment of Headclouds a sense of urgency. Throats follow this track with a crusty freak out, complete with million-mile-an-hour drums and a short guitar solo(!). Throats' side of the split continues in this vein of insanely fast tracks full of anger, interspersed with short, tasteful breakdowns. The drummer has several very impressive moments concerning double bass work, and the vocalist is instantly comparable to one Jacob Bannon, spewing lyrics with throat-ripping intensity. The guitarists serve their purpose competently, serving up down-tuned, crunchy riffs that compliment the palpitating rhythms put forth by the drummer and held together by the bassist.
Throats and Maths have crafted a fine split album, one that might remind some listeners of Converge and Agoraphobic Nosebleed's The Poacher Diaries in its consistency and savagery. Both Throats and Maths are worth a listen individually, but you can get a nice feel for each bands' personality from this split alone. Short, heavy, and to the point, you won't want to miss out on this album.





Cleft - 2012 Whale Bone


Band : Cleft
Album : Whale Bone
Release Year : 2012
Genre : Progressive | Mathrock | Experimental

Tracklist :
1. Gulch
2. Trapdoor
3. Interglutial
4. Tight As a Witch's
5. Flexuous

Cleft are a 2-piece turbo-prog band and we make massive, dirty, instrumental music using a guitar and some drums.
Cleft formed in November 2011, when Dan & John found each other (and themselves) on the internet, despite only living two miles apart. Originally from the deep South, and after a spell in Brighton where he discovered the joys of cheese, Dan moved up North to Manchester. John moved down from Lancaster at exactly the same time, due to a bad experience with a three foot garden gnome and a bucket.
Since then they've been condensing 14 minute prog songs into 3 minutes and having a lot of fun doing it.
Cleft are influenced by all types of new music and love to hear new things, so get in touch if you've got something you want to share.





Jonestown Revival - 2012 Brand New Dad


Band : Jonestown Revival
Album : Brand New Dad
Release Year : 2012
Genre : Mathrock | Psychedelic | Jazz | Experimental

Tracklist :
1. Dad Returns
2. Eastern McFeaster
3. The Infinite Doughnut
4. Soul Claw
5. Beef Storm
6. Planet of the Crepes
7. Simon and Dark Uncle
8. Mark Hamill/ Hittler, PA
9. Celine Dijon
10. Brand New Dad

Jonestown Revival is a 3 piece band from Fort Collins, CO. They playing a kind of mathrock/prog/psychedelic stuff. There's not much infos i can find about them, but this band is really good!! If you like Avian Architecture, you should go check them out!!! Enjoy!!

We'll Die Smiling - 2010 Avant Garde


Band : We'll Die Smiling
Album : Avant Garde
Release Year : 2010
Genre : Experimental | Chaotic | Spazzcore

Tracklist :
1. Interdisciplinary
2. I'm Not Causing Chaos, Chaos Caused Me
3. Yeah, You've Got That Manflu Down
4. Matthew Is Magnetic

Well, fret no more friends. For if you were one of those folks bemoaning the lack of bands who had that uncanny ability to mix rich instrumentation, wailed vocals and math-rock in a way that somehow managed to sound totally natural then your new heroes may have arrived.

Much like everything else I’ve so far heard on Holy Roar, We’ll Die Smiling arrive sounding like (more or less) the finished article. This brief, energetic four track EP is over in 11 minutes but hidden away inside are ideas and songs far grander than their running times suggest: 'I'm Not Causing Chaos; Chaos Caused Me' mixes an initially intricate, tuneful guitar line with blistering stop start drumming and blood curdling vocals seamlessly; 'Interdisciplinary' teases a full on breakdown for its opening minute, before a deep, layered wall of noise hits you square in the face interspersed with what could very nearly be described as a tune; 'Matthew Is Magnetic' very definitely has one at it’s heart, though it too is hidden under a wealth of intricate musicianship and ire; lastly, 'Yeah, You Got That Manflu Down' is a brief but relentlessly heavy assault on the senses, showcasing the band's harder side throughout.

What is truly wonderful about the whole EP is how rich and well-produced it is; moments such as the point where the tone totally transforms 1:01 into 'Matthew…' as the lush guitar comes in sounding fully formed and authoritative; or the latter half of 'Interdisciplinary' as the harmony chugs away violently under the drums and guitars, reverberating in and out of focus.

Early signs suggest that this Yorkshire trio share their forefather’s ability to combine explosive guitar, ear-shattering vocals and staccato rhythms to great effect. But if anything, the sheer technicality and precision on show here suggests that rather than being a band looking backwards, they’re an entirely modern day force. -drownedinsound

Facebook | Bandcamp | BUY! | Try It!




Serena Joy - 2007 Ours Will Be A Lonely Battle EP


Band : Serena Joy
Album : Ours Will Be A Lonely Battle EP
Release Year : 2007
Genre : Screamo | Post-Rock | Experimental

Tracklist :
01.Movement I
02.Movement II
03.Movement III
04.Movement IV

Serena Joy, an ambient mix of lo-fi indie, post rock and melodramatic sky torching screamo.

Something has been brewing in the Serena Joy camp for a while. Covertly stealing members from several defunct underground bands, including andtheywillriot! and Missiles of Uncertain Destinations, they've now burst back onto the scene as a formidable seven-piece band, incorporating a range of new instruments including a violin, keys and even a mini-accordion brought out especially for the live show. What's more, their new EP, holding the appropriately gallant title “Ours Will Be A Lonely Battle”, may well turn out to be the most brazenly epic thing you have ever heard!

Split into four tracks or “movements” this 20-minute cinematic composition voyages through dynamic late-90s screamo territory, taking in sprawling sections of weaving instrumentation and post-rock ambience. Narrated by a mixture of raw screaming vocals, harmonious female singing, snatches of background chatter and poignant laments, it draws to a memorable finale with an extended spoken-word passage residing behind driving instrumentation that gradually gathers intensity; an unwavering stream of consciousness, falling over itself to get the words out, and ultimately climaxing with a coming together of voices in the rousing sing-along.

Understated, it is not. But although victory appears to ring hollow for the protagonists at the heart of the record’s concept, for the band itself this is far from the truth. Overblown, but splendidly so; Ours Will Be A Lonely Battle indulges in many of the great aspects of music, raging war on tired and bloated genres by ripping them apart and pillaging the best bits - much as sadly defunct Scottish five-piece The Fall Of Boss Koala did so well. And, before you say it, yes - I am fully aware of the romanticised nature of some of the statements contained in this review, but when faced with an affair of such magnitude, just you try describing it without getting a little carried away!

MySpace | BUY! | Get It!




Sunday, October 7, 2012

Botch - 2007 We Are The Romans (Deluxe Edition)


Band : Botch
Album : We Are The Romans (Deluxe Edition)
Release Year : 2007
Genre : Hardcore | Mathcore | Experimental

Tracklist :
CD1
1. To Our Friends In the Great White North
2. Mondrian Was A Liar
3. Transitions From Persona To Object
4. Swimming the Channel vs. Driving the Chunnel
5. C. Thomas Howell as the “Soul Man”
6. Saint Matthew Returns to the Womb
7. Frequency Ass Bandit
8. I Wanna be a Sex Symbol On My Own Terms
9. Man The Ramparts
10. Thank God for Worker Bees (Remix)
CD2
1. To Our Friends In the Great White North (Demo)
2. I Wanna be a Sex Symbol On My Own Terms (Demo)
3. Transitions From Persona To Object (Demo)
4. Mondrian Was A Liar (Demo)
5. Saint Matthew Returns to the Womb (Demo)
6. C. Thomas Howell as the “Soul Man" (Demo)
7. Man The Ramparts (Demo)
8. Saint Matthew Returns to the Womb (Live)
9. Vietmam (Live)
10. Transitions From Persona To Object (Live)
11. Hutton’s Great Heat Engine (Live)

Originally issued in 1999, We Are the Romans was Botch’s second full-length, but to the chagrin of many, was also their last. Though the breakup occurred two years after the release of this, their swansong, the Washingtonians left such an indelible mark on the scene that their concepts would turn up later in the music of bands like Norma Jean, among myriad others. Thankfully, Botch seem steadfast in their decision to remain disbanded, and rather than reunite, former members continue to forge ahead with new, musical endeavors such as Minus the Bear, Onalaska, Roy, and These Arms Are Snakes. After all, a reunion could result in a comeback album, which would inevitably pale in relation to previous installments in their discography. Speaking of their catalog, the remastered Deluxe Edition of We Are the Romans is the finale of the Botch re-release treatment that covered 061502, Unifying Themes Redux, and American Nervoso. So fitting it is that their quintessential album has been expanded by one whole disc, which offers most of the recordings in demo form, and a few live tracks. It goes without saying that “To Our Friends in the Great White North” and “Mondrian Was a Liar” are no less hard-hitting nor infectious as they were seven years ago – prior to the alarming surge of metalcore and post-hardcore. Other intricate, raging numbers like “Transition from Persona to Object,” “C. Thomas Howell as the ‘Soul Man,’” “Saint Matthew Returns to the Womb,” “Frequency Ass Bandit,” and “I Wanna Be a Sex Symbol on My Own Terms” are convoluted yet fully comprehensible, though a mid-paced song such as “Swimming the Channel vs. Driving the Chunnel” possesses a sound that the Neur-Isis niche is now known for.  When discussing We Are the Romans, one need mention the 10-minute “Man the Ramparts,” which is the longest, most climactic of the lot. The midsection chanting is unique, but more importantly, effective too.

As noted above, the second disc has a wealth of demos up for grabs, and surprisingly, each is of high quality in both production and execution. Further endearing is the fact that studio banter personalizes each song. Otherwise, there are no major changes except for the significantly shorter, chant-free “Man the Ramparts.” The four live renditions are satisfying, if muddy or flimsy, and Botch fans will definitely recognize “Vietmam” from their sole EP An Anthology of Dead Ends and “Hutton’s Great Heat Engine” from their debut American Nervoso.

Despite the asinine song titles – that part of the quartet’s trickle-down influence I could do without – We Are the Romans is required listening for anyone who has even a casual affinity for this particular style. While metalcore has a less than favorable image these days, and though there are anomalies to the following claim, there was once a time when it could be played innovatively and with verve. Botch’s catalog proves just that.

Facebook | Bandcamp | BUY! | Preview




Exotic Animal Petting Zoo - 2012 Tree of Tongues


Band : Exotic Animal Petting Zoo
Album : Tree of Tongues
Release Year : 2012
Genre : Experimental | Mathcore

Tracklist :
1. Pharmacokinetic
2. Thorough.Modern.
3. You Make Wonderful Pictures
4. Through the Thicket... Across Endless Mountains
5. M.U.M.B.
6. Apis Bull
7. The Great Explainer
8. Kaspar Hauser Could See the Stars in the Daytime
9. Gypsy Among the Pines
10. Whores of Babel
11. Arcology

The biggest problem with Exotic Animal Petting Zoo to date has been whether to take them seriously or not. With their outlandish name matched vibrantly with their song titles it was often disconcerting to put hope in a band that sang about “Richard Dean Anderson/One Is In Sheol, the Pit”. So with their sophomore album all (two or three) eyes were on the band to deliver something meaningful, something “fans” could legitimately defend. Well Tree of Tongues is here and nothing is answered but that may be the point. Tongues dives into a rabbit hole everyone was afraid to acknowledge, but many knew hid wonders. It envelops the listener almost immediately into a world only mad men live and is amplified by its stunning beauty. Though faults lay in its predictability and almost refusal to sneak back into the crazy song structures their debut was heralded for, Tongues mostly succeeds because, though normal in its appearance, it’s batshit fucking crazy. -controlled (sputnicmusic)





Fucking Werewolf Asso - 2010 Kid Just Letting You Know We Are Doing It Again


Band : Fucking Werewolf Asso
Album : Kid Just Letting You Know We Are Doing It Again
Release Year : 2010
Genre : Experimental | Nintendocore

Tracklist :
01 made a gun with my fingers and shot at my friends
02 we are driving a 400.000 dollar car
03 a bunch of backpacks for this wolfpack
04 a whole wolfpack in a bunch of backpacks
05 when its done as evidence it's a shirt again
06 a walros like a vampire but awesome
07 no i didn't say the keyboard needed flattery
08 you got leave shield (goodbye)
09 stop screaming it's just what the bomb wants us to do
10 blade braham lincoln

"People liked the Beatles because they where the first pop-band. Fucking Werewolf Asso is also the first band in a genre. Now like us."
Fucking Werewolf Asso is a 8-bit post-punk band with 90s emo vocals, from gothenburg.
previously know as GO! WITH FOURTEEN O (and for a short period of time VS THE HELICOPTER).





Kusudama - 2009 Jazz TV (EP)


Band : Kusudama
Album : Jazz TV (EP)
Release Year : 2009
Genre : Experimental | Jazzcore | Mathcore

Tracklist :
1 - Mary Had A Little Lamb
2 - Wonderful World
3 - 5-6-5-7
4 - Summertime

What have to lead a musician to start a radical experiment with jazz? Somebody needs to unite in one team, as it was happened with a «Kusudama» Minsk band in 2009. They hadn’t spent much time for throes of creation and investigating, but immediately decided to play “jazzcore”. Mixing jazz with mathcore and adding it all with humor and colorful healthy schizophrenia.

Facebook | Bandcamp | Get It!




Five Minute Ride - 2005 The World Needs Convincing Of All That It's Missing


Band : Five Minute Ride
Album : The World Needs Convincing Of All That It's Missing
Release Year : 2005
Genre : Post-Hardcore

Tracklist :
01 Spread The Word
02 The Rapture Was Yesterday
03 The Summer Of The Southern Belles
04 Sinking Conscience
05 I Knew A Girl Named Love York
06 Oh, These Woeful Days
07 Comparing Objects In A Group

Five Minute Ride was a post-hardcore band from Sacramento, California. The band features Kurt Travis, next vocalist of Dance Gavin Dance.
This is an extremely solid EP. Be aware, this isn't the Kurt Travis you heard on Dance Gavin Dance's latest effort. His vocals are constantly alternating form singing to screaming in the blink of an eye. The guitars are very fast-paced and interesting, albeit a bit repetitive at times. The EP starts with a minute or so long instrumental track, and then leads into "The Rapture Was Yesterday," where Travis displays his vocal ability right off the bat. The harsh screaming is a trend throughout the EP, and you never know when Travis could go from soaring vocals into a piercing, high pitched scream-a-thon. One thing that interests me a lot with this release, is the bassist's ability. He, unlike most post-hardcore acts, does not simply go along with whatever the hell the guitarists are doing. He sort of does his own thing, giving the songs much more depth than you would normally see from a post-hardcore band. His skills as a bassist are evident in "I Knew A Girl Named Love York," which is really his showcase. Nothing that Five Minute Ride does is what you would normally expect from a post-hardcore band. They aren't extremely generic, they aren't easily accessible to 13 year old girls wearing black eye makeup, and they don't use the common formulas. With The World Needs Convincing Of All That It's Missing, the guys of Five Minute Ride really showed they had the chops to be a great post-hardcore band.

MySpace | BUY! | Listen




Thursday, October 4, 2012

The Sick Lipstick - 2002 The Sick Lipstick


Band : The Sick Lipstick
Album : The Sick Lipstick
Release Year : 2002
Genre : Noise | Punk | Experimental

Tracklist:
1 The Bloody Ropes
2 Creamy Plastic Pink Leotard
3 Sermon From Between His Legs
4 Smudged Lipstick
5 Cardinal Newman
6 Let Me See Your Woman's Bump

Shortly after the demise of their former band Black Cat #13 in 2001, Lindsey Gillard and Mark McLean joined forces with Allan Graham to form the quirky punk rock group The Sick Lipstick. During the two-year period in which Black Cat #13 was together, they managed to garner a large, devout following, even though they only put out a handfull of vinyl-only releases, including a 7” on the influencial Three.One.G label.

The band’s debut EP was released by Sound Virus, an up and coming California label that has put out records by great and cutting edge bands such as The Blood Brothers, Liars and Pretty Girls Make Graves. Since it’s release in September of 2002, the EP has sold strongly with little promotion, due to the large following of Black Cat #13.

A punk album on acid. This is absolutely NOT for the typical punk fan, but for a more open minded punk fan, if any. A homerun for the noise punk/lo-fi genre!





MAKE - 2012 Trephine


Band : MAKE
Album : Trephine
Release Year : 2012
Genre : Psychedelic | Doom | Sludge | Stoner

Tracklist:
1. Ancient Tongues
2. After the Dust Settles
3. Returning to the Ruins of My Birthplace
4. ...And Time Came Undone
5. Valhalla
6. Surrounded By Silent Lies
7. Rotting Palace
8. Scorched Sky
9. Into The Falling Gray

MAKE is a heavy blend of psychedelic sludge metal from Chapel Hill, NC featuring Scott Endres from the defunct Boston space-rock band Suntan, Spencer Lee of Chapel Hill band Systems and drummer Matt Stevenson.

'Trephine' certainly pulls no punches and it very deliberately builds in intensity throughout its 9 epic tracks pulling you inward and battering your senses on the way. Listen to the way the vocals come in during '....And Time Came Undone' (I've linked their bandcamp page below so you can do just that). It's stunning stuff.There are elements of repetition throughout that have a real industrial feel, minus the samples of course, but my niggle throughout is the lack of change of pace, intensity builds, it takes you inwards but there are no break-out moments where things drag you kicking and screaming into another dimension. There are some really stand out tracks though "Surrounded By Silent Lies" and the almost Sabbath like riffing on "Rotten Palace" with a real change in vocal and style immediately spring to mind.

On album closer 'Into The Falling Grey', which is over 12 minutes long, you really do need to stick with it post the 6 minute mark, but be prepared for an uncomfortable experience. Ultimately this is a really good LP within this genre, but it's not for me, I love the stoner feel, but the doom leanings lose me, but that's just my personal taste. -Nev Brooks (uberrock)





American Womanhood - 2012 AmericanWomanhood '12 Demo


Band : American Womanhood
Album : AmericanWomanhood '12 Demo
Release Year : 2012
Genre : Chaotic | Hardcore | Mathcore | Experimental

Tracklist:
1. Allison the Sniffer
2. Cheeseburger In Paradise And Put Up A Parking Lot
3. Feyonce
4. Blanket Forts Everyday

American Womanhood is a Baltimore, Maryland hardcore band. The band was founded in early 2010 with a desire to perform and record fast, chaotic, heavy music without resorting to cliche breakdowns or other generic metal stereotypes. American Womanhood loves playing basement shows and small venues. Floors always trump stages. And you never know what singers Marc Dyer and Asa Gillis will do in the midst of a set.

This band is so fucking good, playing from mathrock to mathcore to gringcore to chaos!!! If anyone here have their first album "An Ungrateful Ghost Gets the Gift of Life" please let me know, cause i can't find it inside the net!!! :D





Friday, September 7, 2012

Throats - 2010 Throats


Band : Throats
Album : Throats
Release Year : 2010
Genre : Hardcore | Chaotic

Tracklist:
1. Wake
2. My Hands Are Cold
3. Fuck Life
4. Failgiver
5. Something Low From This Way Comes
6. Oaken/Wait

Throats definitely takes things to the next level with their debut full-length. In the past, this hardcore band from across the Atlantic has been hailed pretty highly. “Converge on acid,” the Gallows front man called them, and Throats was also pegged as one NME’s “bands to look out for.” That’s pretty hefty for a band that’s only released a few demos and splits. In my opinion, Throats manages to withstand the expectations that have been built around them like a moat; they don’t necessarily hurdle the moat in a flying leap, per se, but they get to the other side safely and surely. What I’m trying to say is- Throats isn’t without faults, of course. The album is a bit short-lived. Clocking in at less than 20 minutes, Throats never quite get a chance to cement their style and make their presence known. Throats is certainly dynamic, but this inhibits their ability to create a truly memorable experience as the album tends to drift.

Now that the nasty part (ephemeral as it is) is out of the way, let’s move on to the diverting aspect, shall we? For starters, it becomes clear right away that Throats is a fierce and even harrowing experience. To revisit the allegory that began this review- Throats is a rough and unrelenting band that exerts an incredible amount of sheer energy. The opening chords of “Wake” aren’t very telling; deliberate and slow, this is as much a break as Throats is willing to give. For a more revealing picture of Throats, fast forward to “*** Life” and feast your ears on the collision of incomprehensible screams (a la hardcore punk style) and highly technical riffs. The more noteworthy moments, though, come in the variation on Throats, the times they differ from the tried-and-true formula of loud/abrasive + loud/abrasive + loud/abrasive = loud/abrasive. All but one of the songs fit into intense 2 minute stampedes, and that is the ambitious closer. Listen to “Oaken/Wait” (not too many times though- I don’t want your ears to fall off) and hear Throat’s ability to construct a 7-minute epic. With layers and riffs galore, the song even includes a sample in the background that eventually erupts to a woman’s shrill screams before tailspinning down into a valley of minimal guitar strums to smooth over the damage done by Throats.

Facebook | Bandcamp | BUY! | Try It!




Alpinist - 2009 minus.mensch


Band : Alpinist
Album : minus.mensch
Release Year : 2009
Genre : Harcore | Crust | Screamo

Tracklist :
 1.Nighttime Poet Daytime Dead
2.Schalterhygiene
3.A is for Army of Slaves
4.Rost
5.2te Klasse Bahnabteil
6.Amuse Yourself to Death
7.Delta Flood of Ignorance
8.The Charme of Dominating
9.From Groveling to Running in Less tha
10.This Song Will Not Save Your Life
11.Outro

Alpinist is a band that hasn’t been heard or experienced by enough people. They hail from Münster, Germany and play a style of crust (a sludgy brand of hardcore punk) tinged with screamo. Minus.Mensch (2009) marks the bands’ first full-length release. It’s full of raw energy, impressive transitions and melancholic dissonance. To be honest, I was expecting the production on this album to be of a lot lesser quality, but it is in fact more than sufficient. The harrowing intro riff in ‘Nighttime Poet, Daytime Dead’ is a great way to kick off the album. It builds beautifully and introduces you into the marvelously emotional landscape created by the band; something most listeners will be thankful for. The band has many things going for it, and the drummer is no exception. Hendrik is really a stand-out on this disc, as he supplies lots of impressive and tasteful fills. Vocals come in the form of a three-pronged attack, with both guitarists as well as the bassist providing screams and growls. I think the utilization of more than one harsh vocalist can be redundant and perhaps cliche at times, but such is not the case here. It works beautifully, actually, as the dynamic between medium-ranged, from-the-chest shouts and throaty growls creates a consistent contrast. It’s a vocal approach that can be compared to Circle Takes the Square in a sense, only with more focus and a little less chaos.

There’s really no weak tracks on Minus.Mensch, each track brings just as much intensity as the last. For every crushing section full of distressed screaming and filthy sludginess from the band, there seems to be a more melodic section waiting right around the corner where the band really succeeds in creating that emotional landscape I referred to earlier. This landscape reaches its purest and arguably most impressive form during the emotionally charged outro track, aptly named ‘Outro’. It’s a very impressive instrumental, which builds for the first minute and a half before exploding into a gorgeous melodic part at around 1:45. One gripe I have with the outro track is that I would’ve liked to hear some sort of vocals, at least one emotional ‘give it all’ type of scream to go along with what the band managed to create. There is a really good melodic riff which defines ‘A is for Army of Slaves’, a great build-up/transition section in ‘The Charme of Dominating’ which leads to a nice little outro riff, and tracks ‘Schalterhygiene’ and ‘2te Klasse Bahnabteil’ are great, brief punches to the face. And we all love those.

Minus.Mensch is a well constructed piece of work. It’s intense, it’s emotional, it’s focused.. And it’s worth checking out. -Xplisit (sputnikmusic)